Don't miss the Secret Stories of
Yoshiko Chuma and Peter Pleyer
March 20
11:00am ET
SML:
Zooma-Dead End
SEQUEL #14
Part2
Featuring: Peter Pleyer
Presented by
The School of Hard Knocks
Time
Part2.
March 20, 2021
11:00am (ET)
LIVE Link
Admission FREE
Run Time: 90 minutes
BYO cup of coffee
Presented by The School of Hard Knocks
SATURDAY MORNING LIVE
SML: Zooma – Dead End
Secret Journey: 40th Anniversary of
Yoshiko Chuma and The School of Hard Knocks 2020-2023
Nobody knows the true story yet…
Photo by Robert Flynt
SML: Zooma - Dead End is the latest chapter of Dead End, The School of Hard Knocks (2020-2023)
an ongoing multi-disciplinary performance series conceived, created and performed by The School of Hard Knocks.
Assembling a mosaic of films, dance, music, visual art, and narratives,
SML investigates ideas of national security, perceived dangers within borders, immigration, and war.
Now, in the face of the ongoing pandemic, SML turns to the ephemeral spaces online to forge connections between locations.
Using the ubiquitous tools of social conferencing,
Zooma: Dead End will enable artists to explore their ideas and communicate to diverse artists and members of the community.
SML: Zooma - Dead End has featured 10 “sequels” with a regular cast of performers
along with hosts, special guests, and artists who are scattered across the world.
Musicians, dancers and designers interact, albeit indirectly,
as nineteen chapters cross over each other within the time-frame of one hour.
Parallel incidents of sound, text, and action connecting the cities of New York, Ankara, Madaba, Tokyo,
Caracas, Tehran, Hong Kong, Berlin, Los Angeles, Brussels, Kabul, Palestine, and Dakar.
Peter Pleyer
After some years as an actor in German theater,
Peter Pleyer studied dance and choreography at the European Dance Development Center (EDDC) in the art academy in Arnhem/NL.
He worked as dancer and choreographic assistant for Yoshiko Chuma (New York) and Mark Tompkins(Paris).
Since his studies he has worked closely with the Hungarian dancer Eszter Gal,
their choreographies and improvisations have been shown in Holland, Germany, Hungary, Paris and at the New York improvisation festival.
In the Netherlands Peter choreographed his first group pieces (selected for the choreography completions Groningen/NL 1994).
Since 2000 he lives in Berlin with a strong interest in new methods of training dance and composition, where improvisation plays a central role.
Out of his interest in the newly developing dance-research programs in different universities
he developed the lecture performance „choreographing books“ (2005) on his view of the difference in the dance research in the US and Europe,
and how that can be beneficial for dancer and choreographer.
He teaches internationally, his workshop „history in practice“ that focused strongly on the „post-judson-avantgarde“
was held in the alternative dance academy in Poznan, P.O.R.C.H.- Stolzenhagen, the Polish Theatre-Institut, Warsaw,
MA Choreography ArtEZ/ Arnhem, HZT-Berlin and Tanzquartier Wien.
From 2007-14 he was the artistic director of Tanztage Berlin.
In 2014 he successfully picked up his choreographic career
with the solo „Ponderosa Trilogy“ (at the Life-Legacy-Project at Tanzhaus NRW and Impulstanz Wien),
the group research and choreography „visible undercurrent“ (2014/16) and „cranky bodies dance reset“ (2017).
His newest solo „triton tanzt - twisted trident“ about the history of release technique,
deconstructing masculinity and the death of his father, was performed in Berlin and Prag.
With his partner, Michiel Keuper, a visual composer, he will found „cranky bodies“ a/company in August 2020,
despite or because of the difficulties of our times.
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